The Artist Reborn: Street Preacher to AI Filmmaker

I haven't been as active on here, mostly because I've been head-down working on something that's getting my creative rocks off like nothing has in years. 

I discovered AI video a little over a year ago. It immediately revolutionized my whole approach to my art and even my hopes and dreams. I've been learning the tools and developing workflows that will be leveraged for years to come. 

There's that old saw we've all heard about the need to focus on one thing. I've experienced a lot of twists and turns since my business hit the rocks during lockdowns when that was a thing. Now, thanks to the tools I've discovered and the connections I've made in the AI video community, I'm more clear on what that one thing is than at any other point in my career so far.

Many of you know my origin story - how I made my own comic books, photocopied them at Staples, and sold them in the street to make rent. They featured a cartoon version of me in fictionalized versions of the real life adventures that inspired the work. 

In an era when I couldn't afford a computer or a smartphone, this was how I advanced technology while telling my story. Something bespoke and hand made. This was my poetry, my movies, my art. I fancied myself a street preacher, hiding the good word in plain sight. 

From there I got discovered and worked on a late night TV show, almost got my own comedy series, and reached the top of the YouTube mountain with nearly 5 million subscribers. I was in the middle of parlaying that success into a movie when my collaborator tried to steal the project, thinking that since he owned the IP, he also owned the film. 

As a business setback it was an expensive lesson but as a personal setback it was nearly debilitating. The guy used the birth of my daughter with a rare liver disease and my absence from the scene while I was spending weeks at a time in the hospital, as an opportunity to gossip and turn friends into enemies. It was as if he was staunchly determined to end things on bad terms with me. To this day I have no idea why. 

Lockdowns were a process of trying to keep the momentum going on YouTube even though I couldn't make any of the types of videos I've been successful with, dropping everything to spend another few weeks in the hospital out of nowhere every few months, while trying to get another film project going. 

I was inches away from launching a Kickstarter to fund a short film that takes place in the psychedelic sixties when I discovered the AI video community, and the tools that were developing. I wondered how long it was going to be before I started seeing people creating bona fide entertainment with it, beyond sci-fi test shots of futuristic war scenes and women walking on rainy Tokyo streets. 

I started interacting with thinkers like @dustinhollywood, @diesol, and @BLVCKLIGHTai. I was inspired by brilliant storytellers like @tashacaufield, @trishacode, and @meanorangecat. Like comics in my street art era, and YouTube after that, AI video was an obsession that I knew would dominate my career and creative output for the next decade.

I've been learning what the tools can do, watching them evolve, and figuring out how to bring my creative vision to life with them. It's been many fits and starts in terms telling stories, doing experiments, and figuring out how best to express my passion.

I've played everything close to the chest up to now, like everyone will be blown away when I unleash my masterstroke. But like I've had to learn the hard way multiple times, success has never been about working in secret towards one big moment. Success is about being prolific, shipping frequently, experimenting and iterating. 

And now, as much as I'm nervous to talk about it before I've built momentum, I'm too excited about what I'm doing to not share what I'm working on. On Friday September 26, my friend @zThrillington is releasing his next single, "You Up?" The music video is going to be a tribute to cinema of the 1960s like Breakfast at Tiffany's, Viva Las Vegas, and Danger: Diabolik.For all the ideas I have and the scripts I've written, at this stage all I want to do is bring my AI-generated rap star alter ego to life. @zThrillington's got songs in the can and ready to go all the way to next spring.

  • I Got the Sauce
  • The OG Villain
  • Still Going From the Night Before
  • Why Can't We Be In Love?
  • On Another Call

And more. All of this to say that even though I haven't been as active on here, I've been working hard behind the scenes to create an entertainment experience like no other that will unfold over the coming months and beyond. Follow @zThrillington on X, Instagram, TikTok, and YouTube for the full experience. 

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Z. Thrillington's first Appreciation Post

Shout out to FCG Studio on X who posted the first ever appreciation post for Z. Thrillington. Soon to be your favorite AI persona's favorite AI persona!!

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The Origin of The Oh Yeah Brothers

The idea of Macho Man Randy Savage and Kool-Aid Man as a tag team called The Oh Yeah! Brothers has been an obsession of mine for over a decade.

There was this magical period when my YouTube was just starting to take off — no money yet, no upload schedule — just pure creative fire and the wild hope that video success could draw attention to my comic books.

In that in-between moment, I created a comic called Captain America vs Thor on Opening Weekend. Long story short: Cap and Thor are throwing down at the Thor movie premiere… when BOOM — Macho Man and Kool-Aid Man smash through the wall like a tag team from a Saturday morning fever dream.

This moment marked the very first appearance of The Oh Yeah! Brothers — a chaotic, hilarious, deeply personal idea that I just brought to life again in my new AI film.

This is where it began.

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Feeling the Member Vibe

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Shit done changed!

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Give Me My Money (Remix) feat. Trisha Code

GIVE ME MY MONEY (REMIX) - Z. Thrillington featuring
@TrishaCode
Money never sleeps and don't make itself
I worked hard to put a lot of records on the shelf
And then a revolution came and changed the game
And since it started ain't nothing never been the same
It took years and a huge-ass stash of cash
to do what now seems easy with a little passion
the fashion is D.I.Y
That's why I'm looking fly
as this fuckin A.I. guy That's why ya....
GIVE ME MY MONEY!!
Give me my, give me my money
Y'all flow is basic and phony
Somebody say he don't owe me?
Homey, that story's baloney
My pockets ain't bony! I've got fat stacks
Feeling peckish in the morning... fat snacks!
GIVE ME MY MONEY.

They’re Eating the Dogs! They’re Eating the Cats!

Before you watch this video, watch my Short Film Make the Dancefloor Great Again. Then watch this follow-up through the lens of ‘this is Trump World Disco on the night the Eating the Dogs, eating the cats meme went viral’...

Morning Monsters

Are they dream fodder or nightmare fuel? Either way, MORNING MONSTERS is your new favorite show. Whether you watch it in the morning with the kids or late at night when you're coming down from something... This one was of my first AI video experiments! IMages in Midjourney. Video in Luma Labs Dream Machine. Theme song in Udio. Edited in Adobe Premiere Pro.

Opening Weekend at Trump World

The Following are just a few of the ways that people have described my first narrative AI film, “Make the Dancefloor Great Again”, during it’s opening weekend:
“That was So Fun.”
“This is So Good, Sean.”
“Great Concept, and looks fantastic.”
“You Nailed the 70s Feeling. Definitely some Studio 54 vibes!”
“Elite.”
Thank you to everyone who watched the video on opening weekend! Follow me on X.com to see these reactions first-hand, enjoy original AI art & Video, catch news about my next film, and get the first look at major works.

Listen to the Soundtrack!
Listen to the original Soundtrack album by z. Thrillington on Spotify!

Spirit of the Funk

https://x.com/i/status/1791672091126735029

My first AI film is the Music Video “Spirit of The Funk”. It was inspired by the voice that Udio created when I gave it the prompt “Absolute chaos, funk, electric blues, get down lover, boogie, funky drums, wicked guitar solos” and it gave me this perfect Jimi Hendrix impression.
In the course of producing and Hosting WednesdAI I’ve been learning about AI-generated video. This song came along at the right time to see what I can do with Midjourney for the images, and then Runway and Haiper to turn the images into video shots.
I Put it all together in Adobe Premiere Pro. And between you and me, if I’d known how long the process would take, I might not have done it, figuring I’d do better to put that time into the real ‘first AI video’ short film that I started before this. But I was so excited to have something to show the AI filmmakers who inspire me, like Tasha Caufield, MeanOrangeCat, and Dustin Hollywood.
Join me on x.com to follow my journey as an AI creator.